The Production: Retrograde by Ryan Calais Cameron
The Company: Melbourne Theatre Company
The Theatre: The Fairfax Studio at the Arts Centre
Runtime: 90 minutes
Until 27 June
Stars: 4
This is an uncomfortable play, which is not necessarily a bad thing, but it does get you thinking. It also makes you grateful for how far we have come as people. We're not perfect, but things have improved somewhat.
But sheesh. This one is a tough one - good, but a hard watch at times.
The blurb on the MTC website reads "It’s the so-called Golden Age of Hollywood, fueled by big money and heady ambition. Paranoia simmers beneath the surface and McCarthyism casts a shadow of fear. A young Sidney Poitier arrives at a television studio with a career-defining opportunity on the table. All that stands between him and a breakout lead role is a signature on a contract – or so he thinks. When the network’s fast-talking lawyer begins firing loaded questions, and the screenwriter’s loyalty to Poitier is called into question, the meeting takes a sinister turn, and the cost of ambition becomes alarmingly clear."
A wordy blurb for a wordy play - but it was very good. Uncomfortably good.
The performances were excellent. Alan Dale will always be Jum Robinson from Neighbours to me, but he's great as Mr Parks, the skeezy lawyer who's out to trap Poitier. Some of his lines make your skin crawl. (Hard to believe that he's turning 80 next year).
Josh McConville is also great as Poitier's friend, Bobby, who's introducing Poitier to the lawyer in the hopes of advancing both of their careers. He's a man with a conscience but is also wracked with the knowledge that by implicating people as communists, his life could be financially better off.
But this play belongs to newcomer Donne Ngabo, an Australian actor fresh out of WAAPA. He's fabulous as Sidney Poitier, a young actor at the time who's ultimately blacklisted for not playing the game. He's going to be one to watch - stoic, quiet, with great stage presence, the final 15 minutes have him exploding - brilliant.
I keep mentioning that this isn't a comfortable watch, due to the themes. The racism, the privilege grate heavily. I had to keep reminding myself that this was set in 1950s America. This is what makes this so effective. That and Bert La Bonte's direction, which slowly amplifies the action over the 90 minutes of the action. The set leans into all of this as well. My one small criticism is the amount of smoke in the
I now also want to go learn more about Sidney Poitier's early life and Paul Robeson, among others mentioned in the play.
Retrograde gives you a lot to think about. It's very good. Powerful stuff.
But I think I'm ready for something fluffy now - Prima Facie last night, Retrograde tonight... I think I need a beach read play now.