Movie Number 36 of 2026
The Movie: Colours of Time (La venue d'avenir)
The Cinema: Palace Cinemas Balwyn
Runtime: Two hours five minutes
Stars: A very solid 4
On this day last year, I was in Paris. It's one of my happy places. I'm 1470 days into Duolingo, having completed the course, I still practice every day. When I can, I try to get along to a French film. It helps to keep your ear in and improve your language, and French cinema is somewhat different to your Hollywood blockbusters.
Colours of Time (or La venue d'avenir in the French) was the perfect film to see. Not too weird, or heavy, beautifully shot and great fun. Sometimes, French films miss out on the fun - thankfully this one has it in buckets.
The film takes place over two timelines. In modern day France, the large family of Adele Vermillard (Suzanne Lindon) have inherited her abandoned farmhouse, which has remained unoccupied for over 70 years. The large family want to do the best for all and not just sell it to developers to build a new supermarket with ample car parking. The three strands of the family choose a representative to do the work. Seb (Abraham Wapler) a young photographer, Guy (Vincent Macaigne) a beekeeper and nature lover, Celine (Julia Piaton) a stressed-out lawyer and Abdel (Zinedine Soualem) a teacher on the verge of retirement become immersed in the story of their long-gone relative, taking time and care to sort out Adele's belongings and life.
The other strand shows Adele's life. Adele (Suzanne Lindon) has been raised by her grandmother. On her grandmother's death, she makes her way to Paris to find her mother, leaving behind her beloved, Gaspard. On the journey East, she befriends a painter, Anatole (Paul Kircher) and photographer, Lucien (Vassili Schneider) on their way to make it big in Paris.
It goes on from there, showing what was happening at the turn of the twentieth century, and the findings of the family as they work out just what their great-great-grandmother was all about, often cutting from one age to the other using exactly the same background. In the 1890s, the Eiffel tower as new, Sacre Coeur was being built,,and the city had a grimier feel to it. In the earlier scenes, we meet a lot of luminaries. I will say not more on this, but the cameos were fantastic.
I really enjoyed this. It was sweet, funny, thought-provoking, gorgeous to look at and it really delved deep into those family ties that bind.
As French films go, this is very accessible, yet it's not vapid, beautifully set, without being schmaltzy and it bent history in a very cool way.
This comes highly recommended.
