Gabriel Garcia Marquez's One Hundred Years of Solitude is one such book.
I know exactly where it is on my bookshelf (sitting next to Love in a Time of Cholera) behind my hairbrushes, near the Rushdies and Atwoods. I've had it for well over 20 eyars. Who knows where I picked it up, but it is there. Unlike the Rushdies and Atwoods, I've looked at these books and never got further than page 30.
This time I tried listening to One Hundred Years of Solitude.
I know it's a good book. I know it's a great book. I get that people have this as their favourite book - but I'm not going to be one of them.
There's a few things I know. For one, I'm not really big into magic realism. It's okay - and a little bit of light literary magic realism is fine. I love the way Salman Rushdie does it. Laura Esquivel is another who uses this literary trope well. Gabriel Garcia Marquez is next level. A lot of South American authors use it - and along with the foreign-ness of it all, it makes it hard to navigate the next.
The more I got into it the book, the more I got it. Keeping track of all the characters, most of whom had similar names, but with differing circumstances was hard.
In the end, I got the point that keeping a village away from everything for a hundred years, letting little in or out is going to be bad for the town.
I also get that the book is covering up a heap of political unrest, junta action and all sorts of things somebody living in Australia will never gel with.
I read one comment that said, "Come to Colombia, you will then understand."
Interesting thought.
For me, I reckon in a year or so, I should pull out the paper copy and wade through it again, on paper, using different synapses - maybe then I'll understand what I read a little more.
(and before you ask, the writing, even in translation, is delicious - it's also very opaque.)
Maybe I'll get back to James Joyce's Ulysses....
Maybe I'm a glutton for punishment.
No comments:
Post a Comment