Thursday, July 4, 2024

Black and White

I gave into the fact that I'm a creative decades ago. There's something in my makeup which means I have to be doing something that produces something, whether that be writing, or knitting, or making a cake, or taking photos. It doesn't matter what it is, as long as I'm producing something. This blog is a testament to this. I know it's a silly blog, but it's me producing something on a daily basis. 

One of my little creative endeavours is producing black and white photographs. I normally do this every day for one month during the year with varying degrees of success. 

I am not a photographer.

I shoot on my iPhone (iPhone 15 Pro), then use an Instagram filter (Always Inkwell, never Moon), often fiddling with the brightness, contrast and structure. 

And I put them up. 


Albert Street, evening, Melbourne

There's no rhyme or reason to the photos. I just like taking them. 


Kate, Beach, just outside of Apollo Bay

When finding subjects for the black and whites, I look for texture. I don't spend a lot of time constructing the photos. Sometimes something catches my eye, I'll point and snap and Bob's your uncle. 


Date night, Southbank, Melbourne

It really amazes me how much joy producing these shots provides. I know that technically they're not great photos. I'm not trained in any way. I just do these to please me. Selfish, eh?


Miffy Snow Globes, Hema, Paris

It's fun to work in another medium. 


Randoms, Southwark tube station, London

I'll keep doing it. It takes no time, and it brings me joy. 



Random, Collins Street, Wet Day, Melbourne.


Today's Song: 

Wednesday, July 3, 2024

Push Ups

I'm dedicating today's song to my new trainer, Chuck. 

He likes it when I curse at him, basically because he knows that I'm working hard. 

Tonight, after a three-minute warm on the skier (because both of the rowing machines are broken) and some loosening up, it was on for young and old. 

First up, TRX rows. The look like this. 

"Move your feet forward," he chimes. 

"But I'll be nearly horizontal!"

"That's what I want you to do. Move 'em and give me twelve."

"Sadist!" I moved my feet forward, doing the required 12 rows from an angle that felt like I was horizontal. I came out of this with aching arms.

"Good girl," he praised. "Was that medium or hard?"

"Hard."

"Excellent. You know that angle now. Keep at it."

We went on. Nasty things. Weighted squats. Lunges. Then push ups.

Chuck is big on technique. He shouts at you.

"Hit the floor with your chest. Don't jump your pushes. Push yourself off," he encouraged.

"Grrr," was my response. Though I do push ups from my knees, my angles are such that he's going to start making me do them on my toes. 

"Keep it up, you can do this."

"You're really not very nice,"

"But you love me!" he chuckled.

"I can't love you, you're an Essendon supporter."

"And what's wrong with them?"

"Everything. Besides, you're mean!"

"And you're very strong and you said you needed to be challenged."

I don't have any recourse to that. 

"Still doesn't mean I like you. Flattery will get you nowhere."

He giggled at that. Then showed me a picture of his dog, because that's what we do. And the session is over. 

I'm going to feel my shoulders and back tomorrow. 

And Joan Armatrading is a seriously underrated 80's performer. 

Today's song: 

Tuesday, July 2, 2024

Theatre Review: Who's Afraid of Virginia Woolf

 The Play: Who's Afraid of Virginia Woolf by Edward Albee

The Company: The Red Stitch Actor's Theatre

The Theatre: The Comedy Theatre, Exhibition Street. 

Until 21 July

Stars: 4.5

I was a bit reticent about going to see this huge play, on a school night. I remember seeing the Richard Burton and Elizabeth Taylor film version of this when I was at university and not being overly enamoured with the play, but at the time I wasn't up for empathising with the play's dysfunctional relationship. Then I have some memories of doing scenes from this in drama class back in the day when I did drama classes (yes, another string to my bow). Strangely, I found myself whispering the lines of the first ten minutes of the play.

Anyway, the ticket has been bought, arrangements were made, the cat got fed - I'd give it a go. It's three hours - it won't kill me, I told myself. 

Holy Fuck! This is a FABULOUS production. 


Seriously, I can't pick holes in this - it's too good. Pitch perfect. Tragically, deeply darkly funny. Spot on timing. Excellent performances. Just wow. 

For those who've not discovered this play in the past, it tells the story of George (David Whiteley) and Martha (Kat Stewart), a middle-aged couple with a few "issues" who invite a younger couple, Nick (Harvey Zielinski) and Honey (Emily Goddard) over for drinks after a party at Martha's father's place to witness the fun and games.

And all hell ensues. 

Who's Afraid of Virginia Woolf is a wordy play. There are a lot of word play, inside jokes and round the houses conversations which elicit more information about the main characters as the play goes on. The first act is uncomfortably funny as the four characters drink themselves into oblivion and open up a number of wounds. The second act, also funny, sets off a series of events that lead to the final act, which is tragic almost to the point of Shakespeare. 

It is magic what they've done here. Kat Steward and David Whiteley are excellent as the bickering Martha and George. Stewart's feline grace adds a menacing air, while Whiteley's near stoic reactions to Martha's goading is her perfect foil. Their relationship is volatile and toxic, relying on a lot of game play to keep them together. Nick and Honey are unwitting guests.  Emily Goddard's Honey provides some of the lighter and funnier moments. 

One of the best things about this production is the accents. The cast are spot on with their New England drawls - not a flat Australian vowel in sight. I find badly performed accents incredibly distracting. All four actors were flawless in their delivery. 

Sarah Goodes, who has been directing for the Melbourne Theatre Company, keeps the pace on this tight. There is no room for error, and her cast have the material well under control. This is a three-hour play (with two intervals) It didn't feel like it. The play went incredibly quickly. 

This is the first time the Red Stitch Theatre have transferred a play onto a main Melbourne stage, normally playing out of a theatre in St Kilda. The proscenium arch format frames this angst-ridden party perfectly. Set in the sixties, complete with my grandparent's doorbell and settee, everything is set up for a good night of theatre. 

I came out of the theatre into the cold Melbourne night knowing that this is a little bit of theatrical magic

This comes highly recommended. Tickets are selling fast. 

Today's Song:

Monday, July 1, 2024

Given up the Ghost

 My vacuum cleaner has officially died. It's been going through its death throws for months, but today, after asking the poor old thing to suck, it did nothing. The nozzle and hose were not blocked. The bag wasn't full. It's just died. 

I obtained it from a share house nearly 20 years ago. I have a feeling the old Werthheim was about that age when I was gifted it. I will miss it. 

Owning a cat, I need a hoover, as I call them, having lived a long time in Britain. And the floors were awful and really needed a clean. And rather than wait, I got online. 

Where do you go. In days of old, I would have gone to Godfreys, but they are all but in receivership at the moment. 

I wish it had broken down in the week before as all of the End of Financial Year sales were on. 

In the end, despairing at the state of the floors, I turned to the evil Amazon and found a new one. Affordable. Good reviews. Bagless. Cordless. Light. With free delivery in under 24 hours. 

I don't know myself. The floors are clean. If I'm honest, the new one isn't quite as strong a sucker as the old one, but it will do. 

My colleague asked me if I was going to get a Dyson. Ah no, for two reasons. First of all, everybody I know who has a Dyson has to get it fixed regularly. Secondly, I've got my name on my mother's Dyson - but that is probably a few years before it comes my way. 

Anyway, that's my big news for the day. New hoover. 

I feel a bit special. 

Today's song: